The Stepford Wives & Barbie, Studies in Ideal Womenhood

Reposting an essay that I wrote in 2015

Diversity in the Barbie Universe
“Diversity” in the Barbie Universe

 

Lately, I’ve been thinking a lot about the 1970’s classic thriller movie The Stepford Wives. Based on the novel with the same name by Ira Levin, the story is simple and nightmarish, a chilling distortion of the American Dream. The men of Stepford have decided that the only way they can attain an idealized Ozzie-and-Harriet-like suburban life is to replace their wives with “perfect women” in the form of mechanical dolls. These automatons are obedient, non-confrontational, devoid of opinion – and, of course, both great in bed and superb cooks. They’re also svelte, always impeccably groomed and white.

I keep flashing on The Stepford Wives not because I particularly liked the movie, but because it has become a cultural icon of the social pressure to conform. It’s a distorted view of womanhood that feels particularly relevant in light of the groundswell reaction to my recent essays Is Obesity the New Obscenity? and The Monster in the Mirror. With the many hundreds of comments, hits, links and likes those essays have received, I’ve realized that I’m not alone in my discomfort with the way people who don’t fit a distorted physical “ideal” are treated. In fact, “we” far outnumber “them.”

So why do these twisted yardsticks of “acceptability” persist when so many cry out against them? What is it that condemns society Read More