When I was a young photographer, I enjoyed experimenting with reciprocity failure.

While it may sound like a philosophical or psychological concept, reciprocity failure relates to the chemical limitations of film. Back in the 20th century, photographers quickly learned that each type of color film (known as its emulsion) was rated for certain light parameters. Push an emulsion beyond its rating by using a longer than acceptable shutter speed (to capture a picture in low light situations), and you’d end up with false colors. Those were the barriers inherent in the technology that pro photographers just didn’t overstep.

But… well… I never did color within the lines.

When I toyed with reciprocity failure, I purposely pushed beyond what was “correct” to seek new creative visions. I remember one moonless night Read More