Judaic Incunabula: An Evening’s Encounter With Survivors From My Distant Past

Judy Guston with the Lisbon Pentateuch
Judy Guston with the Lisbon Pentateuch, a box-bound book from the 15th century

I recently spent an evening of wonder and reflection in the company of several Judaic incunabula (printed books in Hebrew from the 15th century) at Philadelphia’s Rosenbach Museum & Library. Each was a personality and story, bound by hand and laden with transmitted memory. My guide through their histories, typography and quirks was Judy Guston, the Rosenbach’s curator and senior director of collections, who also happens to be a fascinating storyteller. I was entranced, and the time went by far too quickly.

When Gutenberg developed the printing press and introduced moveable type to Europe in the mid-15th century, he created the world we live in where the stories and knowledge that books preserve and impart were no longer available to only privileged scholars and the fabulously wealthy, but to all of us. Well, maybe not “all” – at least not immediately. Those first printed books were still pricey and far beyond the reach of the illiterate masses who wouldn’t have known what to do with them…

Please read this personal essay on the Philadelphia Jewish Exponent’s website.

Aftermath

"Old Glory" by Sally Wiener Grotta

Writing is how I process the world into story. When my fingers are on my keyboard, my brain accesses a deeper part of me where fictional characters live out their complex lives and whisper their tales to my subconscious. When I tap that area of my mind, I can create reason and beauty out of trauma, though I’m not always sure how that happens. That’s why one major driving force behind my work is that I write to try to understand what to me is unfathomable.

For instance, hate, cruelty and war might be human nature, but they don’t make sense. Why would any individual or group want to expend precious time and resources on something so self-destructive? Life is too short, too jam-packed with responsibilities, pleasures, needs, hopes, and perhaps, if you’re lucky and you work at it, love. And yet, people waste their lives hating, hurting and killing each other. Some even appear to get pleasure from acts of cruelty, I guess to prove that they have a modicum of power over another’s life. It boggles my mind, trying to understand why. The pain of it slices through to my inner self.

So, I write fiction, poems and essays to try to dig my way through my discomfort and confusion over what I’m told is simply how human beings are built. In my novels and short stories, I create characters I learn to love and, as part of the process of crafting a tale, Read More

Aftermath-old

"Old Glory" by Sally Wiener Grotta

Writing is how I process the world into story. When my fingers are on my keyboard, my brain accesses a deeper part of me where fictional characters live out their complex lives and whisper their tales to my subconscious. When I tap that area of my mind, I can create reason and beauty out of trauma, though I’m not always sure how that happens. That’s why one major driving force behind my work is that I write to try to understand what to me is unfathomable.

For instance, hate, cruelty and war might be human nature, but they don’t make sense. Why would any individual or group want to expend precious time and resources on something so self-destructive? Life is too short, too jam-packed with other things – responsibilities, pleasures, needs, hopes, and perhaps, if you’re lucky and you work at it, love. And yet, people waste their lives hating, hurting and killing each other. Heck, otherwise kind and good young people are trained to not only be willing to walk straight into a barrage of bullets, but also to shoot to kill for no reason other than someone in a uniform commanded them to do so. Then, there are others who apparently get pleasure from acts of cruelty, I guess to prove that they have a modicum of power over another’s life.

So, I write fiction, poems and essays to try to dig my way through my discomfort and confusion over what I’m told is simply how human beings are built. In my novels and short stories, I create characters I learn to love and,

Read More