Is Your Creativity Driven by Dissatisfaction?

When I first read Anges de Mille’s retelling of a discussion with Martha Graham about the role of dissatisfaction in creativity, I recognized myself in it, as I expect most artists do. And I took Martha Graham’s advice to heart, hoping I would remember it during times of uncertainty in the value of my work.

When I shared it on Facebook, it hit a resonant chord with many of my friends, a number of whom reposted it. However, Rita Ashley replied, “Hmmm. Let me ponder this. Am I less of an artist if I am satisfied with a work I produced? If I cannot see a need to change, improve or correct?… Is dissatisfaction a requirement to be a good/great artist?

 I realized that Rita has a very healthy pride in her creations that I sometimes also feel. But that doesn’t make my dissatisfaction less of a driving force in all my creativity.

It’s a discontent not just with my art, but with the world around me, and my uncertainty about my ability to find the words or images that can help me (and others?) understand, deal with it, perhaps explore the questions that might — if we’re very lucky and persistent — find solutions.

Or, if I’m to be precise, I’m driven by a combination of confusion, concern, and dissatisfaction. I can be pleased with a single creation (sometimes), but my body of work is very incomplete. I have so much more to say, to try to understand.

 What drives your creativity? When, if ever, do you feel you’ve reached a point of completion?

 

Can a Woman Have a Multi-Track Career and Succeed?

Just a few years ago, conventional wisdom was that a woman who does more than one thing would often be perceived as a person who wouldn’t be able to do any of them well. (Yes, I know, dark ages thinking, but it was a common perception.) That’s how I ended up with several different websites, each focused on one aspect of what I do, who I am.
 
So you may know me only as:
  • An author of numerous books, both nonfiction and fiction, including Jo Joe and The Winter Boy.
  • Or, a long-time PC Magazine contributing editor and a tech analyst for scores of publications and corporate clients.
  • Or, a pioneering digital imaging expert and the photographer behind the American Hands fine art narrative project.
  • Or, as a globetrotting journalist and essayist, whose life has been filled with wild adventures.
  • Or, a popular speaker and workshop leader.
  • And so forth.
 
I am pleased that I am no longer allowing myself to be segmented into various online personae. Instead, I now have this single website which represents the whole person I am: a woman who continues to follow several parallel tracks with essentially the same goal: To explore, learn, communicate, share and facilitate human connections and creativity.
 
On this site, I’ll post periodic personal essays and videos; interviews with interesting people; links to my articles, stories, books and reviews; and additional images in my photo galleries. The site also has a stronger focus on the speaking part of my career, with videos and examples of some of the programs and workshops I offer.
 
Please browse through this site and let me know what you think. If you like it, please share the link with others you think might find it useful and interesting. And should you be looking for a speaker for your company, school, organization or fundraiser, let’s talk.
 
I’ll look forward to hearing from you.
Thank you, Sally

Technology versus Art

A few years ago, Daniel and I were writing profiles of prominent professional photographers for Lexar Media’s Website SayCheese.com (which has since been discontinued). They were feature stories about the photographers’ philosophy, style and adventures, with some tips and tricks thrown in. The pieces were a delight to do because of the people we got to spend time with and watch at work.

At the time, I was at a trade show party (I think it was PhotoPlus in New York City), when someone said, “You absolutely must profile… [name withheld to avoid his embarrassment]” for SayChesse. I didn’t know the photographer being recommended, but he happened to be present at the party, just on the other side of the room. So I went over to him, introduced myself, and asked him what he shoots. His reply was an energized discourse about his camera equipment. When he finally took a breath, I smiled, told him how nice it was to meet him and walked away. Daniel and I never wrote a profile on him for SayCheese or any other publication.

What that photographer had lost sight of is that photography isn’t about the camera, it’s Read More

Is Obesity the New Obscenity?

 

Leonard Nimoy and Raphael
Leonard Nimoy’s photo and the Raphael inspiration

 

Facebook has decided that I post offensive material, and I have been warned to desist.

On Saturday morning, I logged into Facebook, expecting to spend a few minutes checking what my friends were up to, reposting some of their more interesting comments, pictures and links, and responding to messages. I also had links that I wanted to post about art, writing, grants and creativity – plus the usual humorous, heartwarming or meaningful pictures or videos I thought folks would enjoy. In other words, I planned a routine social visit on Facebook, before logging off to work on my current novel in progress.

But Facebook had other plans for me.

Instead of taking me directly to my FB page, a rather intimidating message popped up. It stated in no uncertain terms that I had posted an offensive nude photograph, which Facebook had excised from my page and feed (i.e. censored). Then I was shown my online albums, was commanded to remove any other pictures of naked people, and I had to confirm by checkmark that I had no such pictures left on Facebook. I didn’t think they were referring to the various Renoirs, Matisses, Goyas, Picassos and such that I’ve posted over the years. So I clicked the Agree button, and I was allowed to enter Facebook’s supposedly squeaky clean domain.

Of course, I knew immediately which photograph Facebook had found so offensive, and I’m convinced it wasn’t because it was of nude women, but because it was of obese nude women.

In fact, it was a picture from The Full Body Project, a book of photographs by Leonard Nimoy, which is Amazon’s number one best seller in Women’s Studies. What’s more, my posting wasn’t just of the photograph, but a link to a lovely tribute to Mr. Nimoy in the New York Observer My Friend Leonard Nimoy was a Fervent Feminist by Abby Ellin.

SO MUCH MORE THAN SPOCK

Like many millions of others, my fascination with Leonard Nimoy began with a young girl’s crush on Mr. Spock. But it was only as I learned more about the man behind the actor, that I began to admire him – as a thinker, author, artist and philanthropist. And then there was the phone call.Read More

Spending Time with Leonardo da Vinci

Leonardo da VinciLeonardo da Vinci.

It’s a name that stands on its own, separate from all others. A magical name that evokes such strong reactions, especially among artists, writers and other creative thinkers. “He’s my hero” is a frequent refrain whenever I mention Leonardo.

Our friend Alfred Poor has a theory about why he is so fascinated by Leonardo da Vinci (as well as Benjamin Franklin). For him, they were men who “knew about everything there was to know in their world,” an incredible accomplishment in their times, but something that is no longer possible.

While Leonardo da Vinci is an important talisman and touchstone who is rarely far from my thoughts (or, at least, my subconscious), this past week I read two stories that brought him to the forefront.

The first was Michael Kammen’s review of “The Lost Battles” by Jonathan Jones for the Los Angeles Review of Books . The battles referred to in the title are paintings by Leonardo and Michelangelo. As the subtitle says, the book is about “the artistic duel that defined the renaissance.” Kammen’s review gave me just enough of a taste of the intrigues and personalities (and art history) involved in the competition between those two giants that I’m definitely planning on buying and reading “The Lost Battles.”

Then, I came across “Leonardo’s Notebook Digitized in All Its Befuddling Glory” in The Atlantic. What a great opportunity for scholars all around the globe. No longer will this collection of Leonardo’s notebooks be available to only a few who manage to get to the British Library and obtain permission, but to anyone with a computer and access. Given that Leonardo used reversed writing (readable only with a mirror) in his notebooks, I imagine that it will be that much easier to decipher digital copies that can be flipped with the click of a mouse button.

I wonder if Leonardo isn’t one of the most written about individuals in history, and that those two stories caught my eye this week, because I needed some time with him just now.
Spending time with Leonardo. I’m sure my friends will Read More