My Five Minutes of Bloomsday Fame, or Meet My New Raucous Friend, James Joyce

James Joyce’s Ulysses was published in 1922, and for its 100th anniversary, Last week, on June 16th, Philadelphia’s Bloomsday celebration returned to 2000 block of Delancey Street after a two year pandemic hiatus. And I was thrilled and honored to be invited to read a portion of Joyce’s masterpiece as part of the celebration.

Why Delancey Street? Because the Rosenbach Museum & Library is there, and part of its incredible collection of rare books and related artifacts is the original Ulysses manuscript. So for more than 20 years, the Rosenbach has closed off the 2200 block of Delancey Street for a day of music, readings from the novel, plus a Beer Garden, free admission to the museum, and general Joycean merriment.

The portion I was asked to read was from Chapter 16, Eumaeus pages 540-541, lines 1770-1806. The program was that specific because aficionados bring their own copies of the book to follow along with the readings. Before my reading, I met a man sitting in front of me in the audience, who had dug out a copy from his college days (which had to have been a couple of decades ago). He said he had struggled with the book then, but never got rid of it. And now, listening to the readings, he was finally understanding its beauty and humor.

It had been quite a few years since I had read James Joyce’s Ulysses, too. But tackling just that one small piece, gave me insights I don’t remember having way back when. But then, it could also be attributed to the years I’ve lived between then and now. When I was a callow youth, I might have respected the exquisite craft of the book, and how innovative it was, but I’d also found it a dense book, that fought my attempts to love it as I had been told I should.

In the weeks leading up to my Bloomsday reading, I discovered not only insights into the characters and story, but also a sense of pure delight that had been missing all those years ago. Mostly, I realized that the rhythms and lilt of Joyce’s language, and especially his dialog, demands to be read aloud. It’s a book that’s more suited for an urban beer garden or an Irish pub than a hushed college library. It’s raucous and rich, like a June day in Dublin.

I plan to read the entire book again before next year’s Bloomsday, hopefully with friends over a series of good hearty meals and a few bottles of wine, definitely aloud.

The Recording below of last week’s Bloomsday celebrations of readings and music is bookmarked to start when I took the stage, but I recommend listening to other portions too.

 

 

Gawd, I’ve Missed Hugs!

Child and mother hugging

I haven’t had my furnace cleaned this year. Back in December, just as the Omicron surge hit, I called the man who had installed my new furnace a few years ago and made an appointment for a maintenance cleaning and safety check.  He arrived on time, which was a nice surprise. But when I answered the door, he was standing on my stoop, about two feet away from me, and wasn’t wearing a mask. (I was.)

I asked him if he had a mask in his truck. If not, I could give him one. (Back then, I kept a box of surgical masks on hand, in case. Now, I keep some extra KN95s.)

His answer “I don’t wear masks” was said with a good-ole-boy smile that I might have considered charming in other circumstances.

I was dumbfounded and just stared at him.

“Is that a problem?” he asked.

I said, “Yes.”

He left.

That brief interaction left me shaking and feeling violated. As the day progressed, I began to feel angry that someone would refuse to wear a mask in my home while a highly infectious virus was filling the hospitals yet again. Hell, this is my home! My anger eventually turned to righteous indignation.

Back then, the issues were clear. If you respected others and cared about public health, you wore a mask and socially distanced whenever you were outside your established bubble, and you got vaccinated as soon as possible. In contrast, those who refused to follow such basic protocols (which my grandmother would have called common decency) were the kind of people Read More

New Year’s Musings: What is the Measure of Time?

January 2022 Newsletter

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New Year’s Eve has come and gone once more. For a few hours, the entire world paused to acknowledge the passing of another year. By dawn on January 2nd, nearly all echoes of Happy New Year and Good Riddance to 2021 had faded away, and we resumed our lives. What intrigues me is that pause, or more specifically the nature of a year, which is nothing more than a human construct.

Time is woven into the fabric of the universe, but calendars are something else entirely. Though we imbue calendars with all sorts of metaphysical and poetic meaning, they are merely our attempt to control nature, hoping to impose our will onto the ongoing circling of planets and stars. But where is the beginning and end in a circle?

Calendars were invented to measure and compartmentalize time into hours, days, months and years. They organize society, mark agricultural seasons, and track our responsibilities to the government, to our religion(s), and to each other. In other words, their primary purpose is bureaucratic.

So what is New Year’s Eve? What is January 1st? For that matter, what is June 12th or 5:18 PM? Why do these abstract concepts define our lives? Read More

The Measure of Time (a poem)

Every year, I become intrigued by the concept of a “new” year, of a calendar that we as humans have imposed on nature, on the ongoing circling of planets and stars. Where is the beginning and end in a circle?

Questions are the source of just about all my writing. So, it shouldn’t come as a surprise that that it has become a tradition for me to write a new year’s poem. Here’s this year’s:
A minute, an hour, a day.
What is the measure of time?
A child dances with sunlight
A pas de deux that seems to last forever.
An old woman reaches back to first love, Read More

A New Year’s Meditation on the Proper Use of a Rearview Mirror

Janus by Sally Wiener Grotta
Daniel Grota & Sally Wiener Grotta as Janus

When I created this image of Daniel and me as Janus (the Roman god of beginnings) for our 2013 New Year’s newsletter, it had been a toss-up whose face I would set to look back on the previous year and who would be looking forward to the future. But now that Daniel has been gone six years, I see an unintended symbolism in having him nestled in the back of my mind, forming an essential part of who I am.

In many ways, the past defines and shapes us, helping to prepare us for whatever awaits us beyond today. I wonder what that means vis-à-vis our future as we move forward into the year 2022, given that the unrelenting rollercoaster of crises that was 2020 and 2021 is at our backs?

That question filled my mind today, when Shayna and I embarked on our afternoon walk along the dirt road on the other side of our stream. It’s a stroll that Daniel and I had shared innumerable times, inevitably with a dog leading the way. At one of the many bends in the road, the image of a rearview mirror came rushing at me, and I couldn’t shake it. Soon it was joined in my mind’s eye by the picture of Daniel and me as Janus. Read More

Perhaps the Most Meaningful Contract I’ve Ever Signed

Honor, a novella by Daniel GrottaI’m thrilled to announce that I recently signed a contract with the playwright David Zarko, giving him the rights to produce a play based on Honor, a novella by Daniel Grotta. I can’t imagine any other contract feeling so right to me, helping to firm up Daniel’s legacy.

Honor is a story about the fragility and power of the human heart. It explores the terrible toll paid when patriotism, personal ethics and the deep bond of friendship collide.

Next step on the road to production: a staged reading in New York City, hopefully later this year.

Discovering Myself in Arcane Talmudic Arguments

Bookcase of Jewish books

I subscribe to a number of email lists whose content challenge my mind and set me thinking in directions I might never have traveled without their stimulation. For instance, I enjoy receiving twice weekly emails of Maria Popova’s The Marginalian (formerly called BrainPickings) essays for their poetic and insightful curation of the writings of great thinkers, writers and artists.

I initially subscribed to MyJewishLearning‘s daily Talmudic interpretations as part of my research for a current work-in-progress, a new novel (Women of a New Moon). As a secular Jew, I’ve never really studied Torah or Talmud or any of the sacred texts beyond the cursory attention I gave to lessons at Sunday school. (Nor do I remember much Hebrew from then.) But I find myself intrigued by these emails, not necessarily for the Talmudic interpretations (which I often find irrelevant and boring). but more for the thought processes behind them. Those processes — the instinct to question and probe rather than just accept whatever is stated — is key to what I cherish about my Jewish heritage, and what has defined my life of intellectual and creative restlessness.Read More

My Day of Awe: Dressing the Torah for the High Holy Days

Torah scroll open on a golden background

All my life, the turning of the year has seemed to be something that would sneak up on me. Existing outside of everyday, it was beyond the reality that shaped my life, a pause imposed on the “real” world. One day I’d be playing with other kids on the jungle gym, or studying for an exam, or working on a story deadline. Then suddenly, the new year would appear on the calendar, and the clock reset to the beginning. Incrementally, life changed over time, almost unnoticed, unmarked except by momentous highlights: weddings and births, bar/bat mitzvahs and anniversaries, deadlines and book launches, and deaths.

This year is different.

As we approach Rosh Hashanah and Yom Kippur, the Jewish High Holy Days, time seems to be slowing down, giving me the luxury to wonder and wander, touching places in my mind and heart that I haven’t visited before.

That isn’t to say that deadlines aren’t looming, laying on the pressure professionally. Nor is the world any less hectic or demanding. But something in me was broken this past year of isolation and fear. Broken then healed, broken and healed… over and over again. In some ways, I feel like a piece of Kintsugi, a Japanese work of art created by using gold dust to rejoin the pieces of something that’s been damaged, creating beauty out of pain. But instead of gold, it’s light and lightness that is shining through the cracks in my universe. Shining on the stories within me, because stories are the gold, the light that keeps me together, and creates a new me with each character born and plot woven.Read More

My Latest MIT Technology Review Report: Mapping the Way to Climate Resilience

A building that's inundated by rising waters might be down the block from another that is practically untouched, though they're on the same floodplain
Natural phenomena like floods don’t conform to
human expectations.
My latest report for MIT Technology Review explores how GIS (geographical information systems) are being used to help companies like AT&T prepare be more resilient when climate change crises hit.

Many companies don’t yet know how climate change will change their business, but more are taking the inquiry seriously, signaling a new reality–one that calls for guarding against systemic risk while protecting customer relationships and corporate reputations. Recognizing that reducing carbon emissions is essential to combat climate change, AT&T has made a commitment to become carbonneutral by 2035.

“We just know it’s the right thing to do for our customers and–I say this from years of doing risk management–it’s good, basic risk management,” says Shannon Carroll, director of global environmental sustainability at AT&T. “If all indications are that something is going to happen in the future, it’s our responsibility to be prepared for that.” Globally, leaders from government, business, and academia see the urgency.

The World Economic Forum Global Risks Report 2021 names extreme weather due to climate change and human-driven environmental damage among the most pressing risks of the next decade. When citing risks with the highest impact, those surveyed listed climate action failure and other environmental risks second only to infectious diseases…

Please click HERE to read the full report.

“Honor” a Novella by Daniel Grotta Comes Alive in the Reading of a Play by David Zarko

Poster for a reading of Honor, a play by David Zarko, based on a novella by Daniel GrottaThis Saturday afternoon was an event that I have been looking forward to for a long time, and it was years in the making: a Zoom reading of David Zarko’s play based on Daniel Grotta’s novella Honor

I wasn’t the only audience member with tears in my eyes throughout the performance, and that wasn’t unexpected. Readers of Daniel’s small book have long reported how soulful and emotional the story is. Hardened, street-wise individuals have written me (and when he was alive, Daniel) that Honor made them openly cry, even in public.

Honor, a novella by Daniel GrottaHonor is the story of Jeff Smith who, as his bully of a brother-in-law Gene Engelhardt is fond of retelling, is “what the cat dragged in.” He’s a scruffy, bearded hippie who Gene’s sister Bonnie fell in love with decades ago, after meeting at a Washington peace rally against the Vietnam War. Even shaved and doing whatever the Engelhardts wanted, his in-laws never accepted or approved of Jeff. Now, Jeff is saddled with a family, a dead-end job, and, after Bonnie died of cancer, a mountain of debt. Read More